Article 5972A Review: Don’t call it a comeback—The Boys returns better than ever in S2

Review: Don’t call it a comeback—The Boys returns better than ever in S2

by
Jennifer Ouellette
from Ars Technica - All content on (#5972A)

Superheroes abuse their powers rather than using them for good in The Boys, which just concluded its second season.

In my review of The Boys S1 last year, I called the Amazon Prime series "a wickedly funny, darkly irreverent adaptation" and "ideal late-summer therapy for anyone who has grown a bit weary of the constant onslaught of superhero movies." I wasn't alone in my love for the show: The Boys was a massive hit, and that success has continued with S2, which was the most-watched global launch of any Amazon series to date, pretty much doubling the show's worldwide audience. S2 is even better than its predecessor, deftly tackling timely themes and hot-button issues, while never sacrificing all the biting satire and good, gory fun that we loved about S1. And can we just give Antony Starr an Emmy already for his stunning performance as Homelander?

(Spoilers for S1 below; some spoilers for S2, but no major reveals.)

The Boys is set in a fictional universe where superheroes are real but are corrupted by corporate interests and a toxic celebrity-obsessed culture. The most elite superhero group is called the Seven, headed up by Homelander (Starr), a truly violent and unstable psychopath disguised as the All-American hero, who mostly bullies his supe team into compliance. The other members include A-Train (Jessie T. Usher), who boasts super-speed but has also become addicted to the experimental performance-enhancing substance called Compound-V. The Deep (Chace Crawford) can breathe underwater, thanks to having gills-voiced in S2 by Patton Oswalt during a hallucination sequence-and can converse with marine creatures.

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