by Rich Tenorio on (#6QVCH)
A new book from Columbia University professor Frank Andre Guridy examines the successful repurposing of the US sports stadium into a hub of American public lifeFifty-two years ago last month, 100,000 Black Angelenos gathered at the Los Angeles Memorial Coliseum. Although the historic stadium had long served as a venue for many of the city's sports teams, that wasn't the draw on 20 August 1972. Rather, it was Wattstax 72, a celebration of Black culture meant to channel positivity and pride in a community devastated by the Watts riots of 1965 and mourning the assassination of the Rev Dr Martin Luther King Jr in 1968.The Rev Jesse Jackson was an emcee, touting co-sponsor Schlitz Brewing Company's initiative for Black jobs and urging the audience that no matter how impoverished they were, they should remember the motto I am Somebody". The police were not asked to maintain order - the organizers managed things themselves. One member of the talented lineup of performing artists, Prince of Dance" Rufus Thomas, led attendees in a spontaneous on-field rendition of the Funky Chicken. (Many of the stars, including Thomas, had ties to co-sponsor Stax Records.) Afterward, one crowd member disobeyed a request to get off the field - until Thomas persuaded spectators to act as an escort. Overall, it was a successful repurposing of a sports stadium into a public square - a phenomenon that Columbia University history and African American studies professor Frank Andre Guridy further explores in his new book, The Stadium: An American History of Politics, Protest, and Play. Continue reading...