Miss the office? Michael Schur – master of the workplace sitcom – on why we should relish our return

As we slowly rediscover a world of bad wifi and slow lifts, the US Office writer and creator of Parks and Recreation and Brooklyn Nine-Nine explains why he can't wait to get back

One of the first things we knew back in early 2020 was that we wouldn't be going to work for a while. We thought that we would take a quick break - a week, maybe - and then reassess. So we cleaned out our cubicles and desks, and grabbed a few snacks from the kitchen (and toilet paper from the bathroom). One week became two, which became a month, which became a series of question marks spanning endlessly into the future, as the Zooms and FaceTimes and home office conversions gradually made the very idea of spending our workdays with other people seem like a quaint memory. Like childhood birthday parties, or answering machines, or properly functioning democracy.

Some of us might never go back. Every so often we will hear about companies reassessing their relationship to the office, which has been proved unnecessary or at least outdated.

In 1987,' photographer Steven Ahlgren says, when I was bored and unfulfilled, working as a banker in Minneapolis, I began taking frequent trips to look at a painting by Edward Hopper, Office at Night. What first drew me was its setting, which I related to each and every workday at the bank. But what kept pulling me back was its ambiguous narrative - who were these two people, what was their relationship, and why was the woman looking at that piece of paper on the floor?'