India's Early Electronic Music From the '70s Is Finally Being Released
Hugh Morris writes via the New York Times: When the musician and artist Paul Purgas was invited in 2017 by the National Institute of Design in Ahmedabad, India, to play some of the music he'd found in its archives that year, he was initially very keen. These were tapes that had been hidden from the public for decades; they proved the existence of a fertile avenue for electronic music in 1960s and '70s India, and he was determined for people to hear them. But as he went to use the institute's aging reel-to-reel machine, he got a nasty surprise: an electric shock. "I think that sobered me up," he said in an interview. The project, he realized, was about to become "a bit of a lifetime journey." Purgas, 43, is a London-based sound artist and curator, and half of the electronic music duo Emptyset. Initially, he had been on the trail of the lost Moog synthesizer that the American experimentalist David Tudor used while in India, which led him to the library of the NID. In "a victory for good record keeping," Purgas found details of some unknown Tudor recordings noted in a handwritten logbook by a diligent archivist in the 1960s. He requested them from the archives, and was presented with box after box of carefully annotated tapes, all taken from a neglected cupboard. Purgas returned to England to undertake training in tape restoration to properly conserve what he'd found: music from a group of Indian composers who, aided initially by Tudor, had used the Moog and some accompanying homemade modular devices between 1969 and 1972 to create some of India's earliest electronic music. Following a 2020 BBC radio documentary, "Electronic India," in which Purgas situated the music in its cultural context, a new compilation -- "The NID Tapes: Electronic Music from India 1969-1972," out Friday -- presents the restored pieces in their full variety. There are manipulated field recordings, pieces linked to birds and nature, compositions inspired by Indian classical music, imagined voyages to outer space, and tracks reminiscent of bleep techno or Aphex Twin. What the recordings demonstrate, Purgas said, is "electronic sound and music existing free from any baggage," away from "any vestiges of what could be conceived as a kind of Western continuum."
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