Article 78XWF Lourdes gets a Vegas glow-up at Dublin theatre festival, where canvases are slashed

Lourdes gets a Vegas glow-up at Dublin theatre festival, where canvases are slashed

by
Helen Meany
from Technology | The Guardian on (#78XWF)

A musical about a drama group's pilgrimage and reflections on activist art join an intriguing show about lost languages

In a Dublin theatre festival programme tackling heavy themes of racism, conflict and prejudice, Lourdes! The Musical () promises something effervescent. Xnthony Ltd, the creators of Oliver Cromwell Is Really Very Sorry, have turned their lightly quizzical gaze to the French pilgrimage town - a holy Blackpool, a divine Las Vegas" and a site of hope or desperation for five unlikely travelling companions.

Back in his home village in Countryland", in 2008, following a diagnosis of HIV that punctures his dreams of Los Angeles, singer-songwriter Matthew (Riain Cash) lends his star power to a parish drama group taking a musical about Saint Bernadette to Lourdes. Interweaving this show-within-a-show and the pilgrimage strands, Xnthony's lyrics and Matthew Floyd Jones's score blend pop, club beats and soulful ballads. Directed by Sarah Meadows, the supercharged ensemble joining Cash as, variously, a droll priest (Iestyn Arwel), a terminally ill mother and her transgender daughter (Nichola MacEvilly and Danielle James) and an eager tour manager (Molly Lynch) carry the music's tonal shifts effortlessly.

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