Yellow review – a gripping epic about fascism in Belgium

Available online
Part two in NTGent's Sorrows of Belgium trilogy is a visually arresting account of the rise of the Rex party and the horror of the second world war

Director Luk Perceval's Sorrows of Belgium trilogy charts three dark chapters in the nation's history, starting with colonial oppressions in the Congo in Black (produced by NTGent in 2019) and ending with the Brussels terrorist attacks of 2016 in Red (yet to be staged). The second instalment, Yellow, dramatises the rise of the fascist party Rex, which led to collaboration with Nazi occupiers.

What is immediately arresting in NTGent's live-stream, with English subtitles, is the cinematic quality of the production. It is exquisitely filmed by Daniel Demoustier in the theatre, though not always on the stage. Shot almost entirely in black and white with some intermittent hues of yellow, it seems variously like a dance and a series of sorrowful tableaux of human suffering and collective delusion. Camera angles draw us into the roused faces of Belgian fascists, circling them dizzily as they spit out their rhetoric, and then drawing away to show them as a choreographed ensemble. Annette Kurz's set design seems more like a moving painting, with the actors often performing on or around a table that serves as a miniature stage.