Engadget is a web magazine with obsessive daily coverage of everything new in gadgets and consumer electronics

Content creators have become a key segment in the mirrorless camera industry, and Sony fully embraced them back in 2020 with the launch of the ZV1 camera. It has since added no less than four models to its ZV lineup, with the latest being the 12-megapixel full-frame ZV-E1 - its most capable model by far.It uses the same sensor as the $3,500 A7S III, a video-focused camera that's also a low-light marvel. However, the ZV-E1 costs $1,300 less, so of course it's missing some key features like an electronic viewfinder (EVF), dual high-speed card slots, a mechanical shutter and some physical controls.At the same time, the ZV-E1 has some functions that the A7S III lacks, surprisingly enough. Most of those are in the area of AI, and very useful for vloggers, like auto-framing, advanced subject detection and dynamic stabilization. With the sensor and AI features combined, it's not a spoiler to say that this camera is both a mini A7S III and a powerful vlogging camera at the same time. The sheer number of advancements also make it a technological tour de force.BodyThe sensor might be the same, but the ZV-E1 looks radically different from the A7S III. Instead of Sony's classic A7-style mirrorless form, the body is squat and chunky like an A6700 or full-frame A7C. It's also significantly smaller and weighs a third less than the A7S III at 483g, making it Sony's smallest full-frame camera to date.Sony boasts that it's built of recycled plastic, and that makes the camera feel significantly cheaper and less grippy than the A7 series. The grip is also smaller, but I was still able to get a reasonably firm grasp considering the lighter weight. Despite the lower-end materials, it is dust and moisture resistant.As we've seen on numerous recent cameras, there's a switch for photos, video and slow & quick, and each has its own dedicated settings. It has a prominent red record button on top, and like Sony's other mirrorless vlogging camera (the APS-C ZV-E10) it has a zoom rocker for supported zoom lenses, and also works with Sony's Digital Zoom" feature.Steve Dent for EngadgetOther than that, it's significantly stripped down compared to the A7S III. While it does have a few vlogging-specific buttons like Product Showcase and Background Defocus, there's just a single control dial on top (at the back) and no dial on the front - making it difficult to operate the camera using physical controls in full manual mode.That said, the ZV-E1 is one of Sony's first cameras that can be fully operated using touch controls. Most of the key settings (shutter speed, aperture, ISO, etc) can be changed in that way, and it also lets you tweak the display settings by swiping left or right. And of course, the LCD screen fully articulates for vloggers, though it's a bit low-res at 1,030K dots.Where the A7S III's 9.44 million-dot EVF is the best on the market, there's no viewfinder at all on the ZV-E1. I missed that feature when shooting on bright days, but the EVF does have a sunshine" mode that automatically maxes out brightness.It uses the same battery as Sony's flagship models, so you get a generous 95 minutes of 4K 30p video recording and 570 photos on a charge. Luckily, the USB-C Gen 3.2 port lets you charge while shooting, and also supports high-speed transfers.Along with headphone and mic ports, it's got a micro rather than a full sized HDMI port, which isn't ideal for a vlogging camera. It has just a single high-speed UHS-II card slot. Oddly the lack of a fast CFexpress type A slot doesn't appear to limit video capture compared to the A7S III.VideoAs you'd expect for a camera based on the powerful A7S III, video specs are impressive. It can handle 4K UHD video at up to 60 fps, though it's lightly supersampled from the 12-megapixel, 4,240 x 2,832 sensor - so it's slightly less sharp than higher-resolution Sony cameras like the A7 IV. Thanks to a recent firmware update, it can also shoot native 4K at up to 120 fps with no supersampling.Steve Dent for EngadgetYou can choose from high- and low-quality MP4 longGOP options, all with up to 4:2:2 10-bit color depth and 280 Mbps data rates. There's also an I-mode at up to 4K 60p with 4:2:2 10-bit color that offers a more fluid editing experience with no transcoding. That setting uses higher data rates at up to 600Mbps (60 fps), so it requires expensive, high-speed V90 UHS-II cards.Sony's S-Log3 boosts dynamic range to 14-plus stops, and you can preview footage using Sony's LUTs or install your own. If you don't want the hassle of log, S-Cinetone also boosts dynamic range and is easier to tweak and edit later on.What about overheating? Since it lacks the thermal capabilities as the A7S III, continuous recording times are shorter, particularly at 4K60 and up. In that mode you can expect less than an hour depending on the outside temperature. Content creators might be OK with that, but event shooters may need to look elsewhere.Autofocus and AISteve Dent for EngadgetWhen it comes to autofocus, the ZV-E1 actually outshines the A7S III. That's because it uses Sony's new AI processor introduced in the A7R V, so it behaves more like that model -- particularly when it comes to image tracking.It can now track human heads and bodies, not just faces and eyes. And besides people, it has specific settings for animals, birds, insects, cars, planes and trains. Unfortunately it does lack an auto setting, so it can't automatically select the type of subject - you have to dive into the menus and do that yourself.Subject tracking sets a new speed and reliability standard for mirrorless cameras, nailing autofocus consistently - even in tricky settings with fast moving subjects. That's hugely important for vloggers, who often work alone. That said, even Sony's system isn't perfect, as it can occasionally lose a subject's eyes in busy backgrounds.AI powers other features too. For example, the built-in microphone is now directional, and can automatically aim toward the front, rear or all around, based on subject detection.A key AI feature lets you digitally zoom an extra 1.5 times without much noticeable loss in quality. It works with the zoom rocker, and unlike with past ZV implementations, includes full subject tracking. That ability to zoom smoothly and automatically scale the image powers other features as wellSteve Dent for EngadgetThat starts with the ZV-E1's in-body stabilization. Optical-only offers 5 stops, enough to smooth handheld video without much movement. Active stabilization considerably boosts performance, but adds a slight 1.1x crop. However, dynamic stabilization is new and quite remarkable. It adds a 1.3x crop, but can effectively remove bouncing from footsteps, making it like using a dedicated gimbal - albeit with some loss in sharpness. With that feature, the ZV-E1 is the first camera that can really match the smoothness of the latest GoPro action cams.The digital zoom teams up with subject tracking on two other new features as well. One is the Framing Stabilizer, which crops into the image, steadies the shot and keeps the subject in the center of frame, allowing for dolly-like smoothness.Auto Framing, meanwhile, gives the illusion of camera movement. It first digitally zooms into the subject, then tracks it within the frame. You can choose a small, medium or large crop, different tracking speeds and more. You can even send an uncropped video to HDMI so you have two versions.It also carries vlogger-centric features seen on other ZV models, including Product Showcase and Auto Depth of Field. As before, the latter automatically defocuses the background by instantly opening the aperture as much as possible. Product Showcase, meanwhile, ignores eye detection and quickly shifts focus to any foreground object brought in front of the camera. Finally, Breathing Compensation uses a slight digital zoom to maintain constant framing when changing focus.Video QualitySteve Dent for EngadgetAs mentioned, 4K 30p and 60p video is slightly softer than Sony's 30-megapixel A7 IV due to the lower resolution. On the plus side, the absence of pixel binning means no there's no aliasing or other ugly artifacts that can ruin a shot.The other positive aspect is far less rolling shutter than the A7 IV at the full sensor width. That means you can make quick pans or film fast-moving subjects without worrying about skewed video.Apart from sharpness, image quality is superb. It delivers nearly 15 stops of dynamic range in C-Log3 mode, up there with the best mirrorless cameras. That allows for plenty of detail in dark shadows and bright highlights, even on sunny or dark days. S-Log3 mode, meanwhile, gives editors room to tweak video. Sony's colors are accurate, though skin tones can lack the warmth I've seen on Canon models.The ZV-E1 can't be beat in low light. It has dual native ISOs at 640 and a whopping 12800. That allows for low-noise video all that way up to ISO 25,600, and manageable levels even at 51,200 - letting you shoot by moonlight or candlelight. In fact, Sony's FX3 cinema camera with the same sensor was recently used to shoot a feature film called The Creator, specifically because it's so good in low light.PhotographySince it doesn't have an EVF or mechanical shutter, I wouldn't recommend the ZV-E1 for photography alone. That said, like the A7S III, it's more than competent in a pinch.The AF works just as well with photography, and has the same features and tracking modes. So you can count on this camera to grab sharp photos, even when shooting bursts at up to the maximum 10 fps or in low light. It's actually a pretty good street photography or travel camera, as it's small, silent and discreet. And with so little skew, I rarely missed the mechanical shutter.Photo quality is outstanding, particularly in very low light. RAW images can easily be tweaked, even at high ISOs, and colors are accurate. The biggest drawback is again the lack of sharpness. That means there's not a lot of room to crop into photos later, so you'll want to get your framing right when you take the shot.Wrap-upSteve Dent for EngadgetWith all that it can do, Sony's ZV-E1 is the best vlogging camera on the market and its rivals aren't even really close. It delivers everything creators need like 4K 120p video, high dynamic range, unbeatable low-light capability, great ergonomics, the best AF on the market and a boatload of useful AI features. The main drawback is a lack of sharpness - but that's only really noticeable if you're pixel peeping.The ZV-E1 costs $2,200, so its rivals include the $2,200 Panasonic S5 IIx, the $2,500 Canon EOS R6 II and Sony's own $2,500 A7 IV. All of those cameras have sharper 4K video and electronic viewfinders, so they're better hybrid cameras for both photography and videoThe ZV-E1 beats them in nearly every other way, though, while breaking new ground with its innovative AI features. If you're a content creator looking for a full-frame camera in that price range, I'd highly recommend the ZV-E1.This article originally appeared on Engadget at https://www.engadget.com/sony-zv-e1-review-the-best-vlogging-camera-to-date-by-a-big-margin-140055155.html?src=rss

At some point over the years there's been a shift in what PC speakers look like. Many of you may remember plugging in a pair of small, often beige, units into the back of your PC (where the PCI sound card was) and pretending to enjoy the results. Over the years, built-in audio interfaces improved and external ones found their way to a more convenient location on our desks. This, in turn, led to a trend of bigger, creator-friendly, shelf-style speakers. But the rise of the home office has led to a renewed focus on streamlined workspaces, making compact speakers more appealing again.Enter Drop, a company best known for mechanical keyboards and audiophile gear. With the announcement of its BMR1 desktop speakers, the company is hoping to re-invigorate the dedicated PC speakers category. At first glance, the BMR1 looks like it has more in common with the Logitech or Creative speakers of yore (they still make them, I know), but with the promise of the audio oomph usually reserved for larger monitor" style speakers.Given Drop's credentials as a destination for audio enthusiasts, the company was unlikely to put together something you might find in the PC accessories section at Best Buy. Unsurprisingly, the BMR1 isn't as cheap as those big box store options, either. At $129 they're at the upper end of what more mainstream alternatives tend to cost.Photo by James Trew / EngadgetThat $129 gets you a pair of 15W Balanced Mode Radiation (BMR) speakers with either 3.5mm or Bluetooth input. That's a respectable amount of audio power for this size. There's no USB here though, as there's no built-in interface - you'll either use your PC's headphone port or the outputs on a dedicated audio interface. As is the norm with this type of speaker, one is the active" unit with the in/outputs and you simply connect the other with a (proprietary) cable for the left channel audio. Though I will say the included cable is a little on the short side and currently there's no alternative.Physically, the BMR1 is a minimalist affair. There are no dials for power, volume or EQ and the inputs and outputs are all hidden around the back. This will be an annoyance for those who prefer physical controls, especially if you have no alternative (such as a keyboard with a rotary or a programmable mouse). The housing is made of plastic and doesn't give the BMR1 a premium feel, which is in contrast to the company's keyboards. The stands are also plastic which makes the speakers feel light and prone to moving about if a cable tugs on them, for example.On front of the speakers are two drivers - one full-range BMR driver along with a passive radiator. One nice touch is that the BMR1s can be mounted either horizontally or vertically which makes them suitable for a variety of different setups, be that for your own aesthetic preference or out of necessity. The right side speaker has the BMR1's lone button along the bottom edge for switching between 3.5mm, bluetooth and headphone modes.Headphone mode might sound counterintuitive to have on a set of... speakers, but it's a practical tool that passes through the audio from your PC to headphones without having to unplug the BMR1, which, depending on your setup, could be occupying the only output port on your PC. It'll even work with microphones on compatible (TRRS/4-pole) headsets so you can take work calls without having to remove the speakers to free up that headset jack.Photo by James Trew / EngadgetThat's a neat quality-of-life feature, but the main focus here is obviously those BMR drivers. In terms of volume, the 15W speakers are likely capable for most small to medium sized offices. My home office is somewhere north of 150 square feet and the BMR1 amply fills the space. They're described as near field" monitors, i.e. specifically designed for close proximity, but they are able to fill this room with sound without much struggle.As for the quality of that sound, that's a little more complicated. The BMR1s appear to perform best when their volume is set somewhere between 40 - 70 percent of the maximum. Above that, things start to sound a little strained, which isn't unusual - especially for speakers this size. At the lower end, from mute to around 30 percent, the speakers are great with spoken word - ideal for podcasts, video viewing and voice calls. But at these lower volumes, music feels a little too muddled to my ears. It's fine for having something on in the background, but it's a slightly dense listening experience.Nudge the volume up a bit, and things improve. Just north of the middle section of the volume curve is where the BMR1s do their best work. There's still a slight lack on the low frequencies, meaning bass forward music can sometimes feel dried out. If you're listening to rock, country, classical or any other genre where the action is more in the mid-frequencies, you can have a good time with the BMR1s, but if Hip-Hop or Drum & Bass are more your thing, then you might find yourself wanting at any volume.The listening experience improves if you can have the speakers nearer to you. There's definitely a sweet spot at around maybe 18 inches away. When they were about two feet away from me on my desk, Metallica's Enter Sandman sounded fine, but a little thin on the low end, thus leaving the song's splashy hi-hats and James Hetfield's voice feeling a little over represented. If I leaned in a little, the rhythmic bassline and kick drums were notably more apparent.Even with great placement, the sound from the BMR1 never quite felt as robust as I wanted it to be. I know these are PC speakers, but Drop's pitch is that these are ideal for movies and music" - specifically for the desktop. And while they do an acceptable job most of the time, there are definitely occasions where I notice they're lacking, and more so than I was expecting.Photo by James Trew / EngadgetIt was a little surprising to see that the BMR1 only supports SBC and AAC Bluetooth codecs. Obviously, with a focus on PCs, the inclusion of AptX or LDAC might feel a little superfluous, but the Bluetooth functionality, to me, is more about making them compatible with your phone, too (rather than another input mode from a PC). As such, support for higher-quality codecs, even just regular ol' AptX, feels like a bit of a miss here.The BMR1 ships as a 2.0 (stereo) system, but it can also be used as a 2.1 with an external subwoofer. There's a switch around the back that will shelf off the bass on the main speaker to balance things out, and this would certainly resolve the issue with weaker low frequencies. Alas, I don't have a compatible sub, but some reports online indicate that the whole sound does present much more robustly in this configuration. The bigger issue there being, that this requires another separate spend, probably another thing to plug in and takes away from one of the BMR1's primary appeals: a simple, compact setup.This is something of a theme with the BMR1s: they slightly miss on some key areas. In certain, optimal, conditions, they're really quite enjoyable. But that sweet spot is limited and not what you expect either from the brand or for the price. Some of the practical complaints like material choices, the proprietary cable and lack of physical controls feel like obvious misses. The sound profile is enjoyable but the bass is sometimes a bit lacking for certain styles of music. The price point isn't egregious, but a shade over where it should be. And so on.Making the BMR2 feels like a task Drop won't need much assistance with. Most of the pre-order reviews on its own website list off similar minor annoyances. There was a lot to look forward to here, and the final product doesn't land too far from its promises, but it does fall short enough that more demanding users - which are kinda Drop's whole thing - could feel slightly underwhelmed.This article originally appeared on Engadget at https://www.engadget.com/drops-bmr1-pc-speakers-review-133039117.html?src=rss

Gadget season is in full swing! This week, Cherlynn chats about her experience reviewing the iPhone 15 Pro and Apple Watch Series 9. Does a 5X camera zoom make much of a difference? Also, Devindra and Cherlynn dive into Microsoft's big Surface event in NYC, which actually ended up being more of an AI shindig. The company announced Copilot, its new AI assistant for Windows and other platforms.Microsoft is basically consolidating all of the Copilot products it's already announced for Edge, MS 365 and Windows, but maybe this will be less confusing in the long run? Not to miss out on the fun, Amazon also announced several new devices and AI moves around Alexa.Listen below or subscribe on your podcast app of choice. If you've got suggestions or topics you'd like covered on the show, be sure to email us or drop a note in the comments! And be sure to check out our other podcast, Engadget News!Subscribe!

Most earbud and headphone makers are starting to skip the annual update cycle. Sure, many of them release a new model regularly, but in terms of overhauling a previous product, the timelines are typically more extended. Bose has made an exception, choosing to reveal the QuietComfort Ultra Earbuds ($299) alongside its new QuietComfort Ultra Headphones a year after their predecessor. The new earbuds bring a familiar design and the same outstanding active noise cancellation (ANC), but the company is also promising a big boost in sound quality with its new Immersive Audio tech. For the same price as the set they replace, the QC Ultra Earbuds deliver spatial audio without the requirement, or the headache, of having to stream specialized content.DesignBose made minimal changes to the design, retaining basically the same formula from the QuietComfort Earbuds II . One key difference is the touch panel on the outside, which is now silver instead of matching the earbuds (which were black, gray or white). It's still plastic, but it's just a different hue. Second, the company changed the stability bands" or fit wings so they're easier to properly install. That's a welcome update since getting those securely in place was an issue on the QC Earbuds II.With an almost entirely identical design from model to model, Bose didn't reduce the size of the earbuds. This means they're still quite large at a time when a lot of the competition continues to get smaller. However, the trade-off is the outer touch panel is larger than on tinier models from other companies. This translates to more reliable controls on the QC Ultra Earbuds and allows Bose to throw in a dedicated swipe gesture for volume adjustment, which is rare in this category.Software and featuresPhoto by Billy Steele/EngadgetAll of the QuietComfort Ultra Earbuds' features are accessible from the Bose Music app. Here, the company gives you battery percentages for each bud and a volume control at the top of the main screen. Below, you can access controls to toggle listening modes (ANC, transparency and Immersive Audio), the EQ, detailed settings, earbud seal test and options to reconfigure the shortcut gesture.Under Immersive Audio, the app lets you switch between off, Still and Motion modes. They're pretty self-explanatory, but I will point out that the Motion setting keeps the sound in front of you when you're moving so music, movies and other content doesn't stay in a fixed place or seem like it's coming from behind or your pocket when you leave your desk. And since Bose lets you reconfigure the long press action on the earbuds, you can choose to have one side cycle through Immersive Audio modes while the other is set to shuffle through ANC (Quiet), transparency (Aware) and Immersive.Sound qualityBose's new Immersive Audio is a big leap for sound quality on the company's earbuds. The QuietComfort Earbuds II and the QuietComfort Ultra Earbuds both sound good right out of the box. But with this Ultra model and its spatial audio tech, Bose finally has the sonic chops to compete with comparable products from Sony and Sennheiser. And the best part is that you don't need specially created content or a specific streaming service to unlock it. Immersive Audio works with everything, no matter where you're playing it from.Like most implementations of spatial audio, Bose's version takes the stock tuning and makes it louder. There's more presence to the sound, and noticeably more volume, but there's also more clarity and detail. The company says it achieves this with virtualization tech that seeks to eliminate the sensation that sound from earbuds is inside your head. Instead, it makes it seem like you're sitting in the acoustic sweet spot" with speakers placed in front of you. The result is not only the feeling that you're not wearing the earbuds at all, but also extremely natural-sounding audio that's immersive without having to be dimensional to have an impact.I noticed the biggest difference between the stock tuning and Immersive Audio on acoustic-driven albums like Zach Bryan's self-titled release, Gregory Alan Isakov's Appaloosa Bones and Noah Kahan's Stick Season. All three are able to harness the effect of Bose's spatial sound to the point that sometimes it seems like Zach Bryan is sitting right in front of you picking his guitar. When it's just strings and a voice, you can really hear what Bose has achieved, but it doesn't just work for folksy country or singer/songwriter ballads. You can clearly hear the influence of Immersive Audio throughout a range of genres, including metal, hip-hop and electronic tunes. At first you notice it's louder, but after the initial jolt, the amplified details like texture in distorted guitars and synths, as well as reverb on the drums and layered instruments, become more apparent.Noise cancellation performancePhoto by Billy Steele/EngadgetThe QuietComfort Earbuds II have been our top pick for pure ANC performance in our best wireless earbuds guide since their debut. Bose has a long history of stellar noise cancellation and it's still at the top of the heap. With the QuietComfort Ultra Earbuds, the company remains the best at blocking distractions, and these buds are especially good at reducing airplane noise to near silence during a flight. This new model struggles with voices, but that's a pitfall of many earbuds and headphones. Still, when you encounter any kind of constant clamor, the QC Ultra Earbuds are likely your best choice if ANC effectiveness is top of mind.Call qualityBose says it made improvements with dynamic microphone mixing and adaptive filters. According to the company, the QuietComfort Ultra Earbuds can also prioritize which earbud is getting the least wind interference while picking from a number of noise filters to keep you sounding clear - all in real time. During my tests, voice quality wasn't exactly pristine, but the earbuds did a great job of blocking background sounds to reduce distractions. Is it the best? No. Will it get the job done with minimal fuss? Absolutely.Battery lifeThe new Immersive Audio tech will impact battery life, and Bose is upfront about that. The company says that with that spatial sound enabled, you can expect two hours less of playing time per charge. So instead of six hours with ANC, you'll get around four, but that's with noise cancellation and Immersive Audio turned on. During my tests, the QC Ultra Earbuds outperformed those estimates as the Bose Music app was still showing 30 percent left after four hours. What's more, there are three additional charges in the case for a total of 16 to 24 hours of use.The QuietComfort Earbuds II didn't have wireless charging and the new model doesn't either - at least not out of the box. If you want to top them up without a cable, you'll have to buy a silicone cover for the charging case, which will cost an additional $50. Sure, it's better than not offering wireless charging at all, but it would've been nice if the company had just built it into the product without requiring another component and an extra purchase.The competitionPhoto by Billy Steele/EngadgetBose's main competition for full-featured, noise-canceling earbuds is Sony, which debuted its WF-1000XM5 model in July, improving upon what was already a stellar formula. Simply put, no other company packs in as many features as Sony, and it manages to keep top-notch sound quality and ANC performance while doing so. The M5 is more expensive than previous models at $300, but that's on par with the QC Ultra Earbuds. Sony also didn't improve battery life from the M4, which is eight hours, and some of those handy features still need fine tuning.For the Apple faithful, the second-gen AirPods Pro are also worth considering. Apple's earbuds are loaded with features that make them the perfect companion for the iPhone and its other devices. The company has consistently put out the most natural-sounding transparency mode and new tricks enabled by the H2 chip, like Adaptive Audio, have made the year-old model even better. Great sound quality and solid ANC performance are also part of the appeal.Wrap-upThe QuietComfort Earbuds II were already the best true wireless model Bose had ever built, mostly due to their superior active noise cancellation. Add spatial audio that doesn't require you to jump through any extra hoops to use and the QC Ultra Earbuds are immediately a worthwhile upgrade. Sure, there's still work to be done on things like transparency mode, call quality and built-in wireless charging. But perhaps for the first time, Bose has a set of earbuds that can compete with the best sonically and not just purely on its noise-blocking merits.This article originally appeared on Engadget at https://www.engadget.com/bose-quietcomfort-ultra-earbuds-review-spatial-audio-makes-all-the-difference-140057701.html?src=rss