by Peter Bradshaw on (#5RQQQ)
The film side of TikTok has plenty of spoofs. But our writer prefers the critics, the metal-jawed burger-biting machine – and the effects experts revealing how to make a camera crew vanish into thin airFilm TikTok is giving film an explosion of energy, a performative and democratised version of cinephilia that celebrates, imitates, teases, lip-syncs, mashes up and mocks – but all the time rubs up against – the movies. Susan Sontag, in Against Interpretation, called for a rich, intuitive kind of criticism that celebrates and reproduces the sensuous effect of art, instead of imposing a coldly pedagogic analysis. I think she’d have loved Film TikTok. And it’s happened over just a few years, propelled by people under the age of 25.Apart from everything else, Film TikTok may be undermining one of the most fundamental tenets of cinema: that the screen has to be “landscape” style, since anything else looks amateurish and inauthentic. British film-maker Charlie Shackleton recently talked about mentoring a group of young Australian critics and finding how utterly steeped they were in the language of TikTok: asked to take a picture of them on his phone, he recalls his chagrin for turning it sideways – “Like a fucking Lumiere brother!”