Article 56Q4Y Three algorithm-less streaming sites revive the wacky Web from days of yore

Three algorithm-less streaming sites revive the wacky Web from days of yore

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Ars Staff
from Ars Technica - All content on (#56Q4Y)
internettemple-sample-800x402.png

Enlarge / An average performance you can expect to see, and participate in, at Internet Temple. Co-creator Clayton Collins is in the center frame, performing as his alter-ego Long Distance Husband. (credit: Internet Temple)

In early May, I needed a change of pace from my usual YouTube rabbit holes, having gone down a few of those during months of quarantine. My discovery of Internet Temple almost felt like finding a good bar or music venue; instead of being served content by a video platform's algorithm, I had to know someone, get a tip, and type an entire URL.

The Temple made a blunt entrance on my browsing tab with little more than a cropped YouTube embed and a chat box with no scrolling feature. And then it got weird.

I witnessed a startling musical performance drenched in autotune (the laughs between songs were also autotuned). The singer wore snowman print boxers, an oversized sweater featuring abstract humanoid images, and a hat reading "WWW DOT COM MY ASS." He danced with three stuffed sheep in his hands, while behind him, a green screen was flooded with imagery chosen by audience members. They had selected images of Shrek and Unicode shrimp emojis.

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