Article 5E54V Review: The Stand starts out strong and then whiffs the landing

Review: The Stand starts out strong and then whiffs the landing

by
Jennifer Ouellette
from Ars Technica - All content on (#5E54V)
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Enlarge / James Marsden, Alexander Skarsgard, Whoopi Goldberg, and Amber Heard are among the ensemble cast of a new miniseries adaptation of Stephen King's sprawling 1978 novel, The Stand. (credit: CBS All Access)

A deadly virus wipes out most of the human population, and the survivors find themselves caught in an apocalyptic battle between good and evil in The Stand, the latest miniseries adaptation of Stephen King's sprawling 1978 novel. But despite a strong start, terrific performances from the all-star ensemble cast, and impressive production values, as a story, The Stand starts unraveling midway through, culminating in a meandering, seemingly pointless finale.

(Spoilers for the book below; a few major spoilers for the new miniseries below the gallery. We'll give you a heads-up when we get there.)

As we reported previously, The Stand is widely considered to be among King's best work, with a sprawling cast of characters and multiple storylines. It's also his longest, with the 1990 Complete and Uncut Edition surpassing even It in page count. King has said he wanted to write an epic dark fantasy akin to The Lord of the Rings, only with a contemporary American setting. "Instead of a hobbit, my hero was a Texan named Stu Redman, and instead of a Dark Lord, my villain was a ruthless drifter and supernatural madman named Randall Flagg," King wrote in his 1981 nonfiction book, Danse Macabre. "The land of Mordor ('where the shadows lie,' according to Tolkien) was played by Las Vegas."

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