Article 37P3D Spatial audio is the most exciting thing to happen to pop music since stereo

Spatial audio is the most exciting thing to happen to pop music since stereo

by
Sam Machkovech
from Ars Technica - All content on (#37P3D)
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Enlarge / To get the Dolby Atmos version of Automatic For The People, you'll have to buy this complete 3-CD, 1-Blu-ray edition. (credit: R.E.M./Craft Recordings)

As much as I love overpriced gizmos in my living room, I still tend to be reluctant about new standards. TVs are a great example. I've appreciated the bonuses offered by 3D, 4K, and HDR, but I concede they all lack content and are less amazing than salespeople would lead you to believe. They're also generally not worth replacing TVs that are only a few years old.

The same goes for audio, which fortunately hasn't strayed far from a "5.1" surround-sound profile since the dawn of DVD adoption. Really, I've been fine with two good speakers and a subwoofer for my entire adult life. I laugh at overblown, pre-film Dolby intros in a theater. I shrug at the surround effects in hectic action movies. I have failed A/B tests in picking out major differences between 5.1 and 7.1 systems.

Surround audio can be cool, sure. But if I were to ever change up my entire living room, I'd need something to blow my aural expectations away. This week, that might have finally happened.

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