Review: Mickey 17’s dark comedic antics make for wild cinematic ride
Oscar-winning director Bong Joon-Ho returns to the big screen this weekend with the sci-fi film Mickey 17. If you're expecting the subtly devastating social commentary of his 2019 drama/horror/thriller-hybrid Parasite, I suspect you'll be disappointed. Mickey 17 is a very different beast in both aesthetic and tone. When the first trailer dropped, I wrote that the film felt like a darkly comedic version of Duncan Jones' 2009 film Moon, with a dash of the surreal absurdity of Terry Gilliam's Brazil (1985) thrown in for good measure. I stand by that assessment, and it proves to be a winning combination.
(Some spoilers below but no major reveals.)
The film is based on the 2022 novel Mickey7 by Edward Ashton. Ashton's inspiration for the novel was the teletransportation paradox-a thought experiment pondering the philosophy of identity that challenges certain notions of the self and consciousness. It started as a short story about what Ashton called "a crappy immortality" and expanded from there into a full-length novel. (Ashton also penned a sequel, Antimatter Blues, which was published in 2023.)