Article 6Y1E4 ‘A dazzling concrete crown’: Liverpool Metropolitan Cathedral gets long overdue appreciation

‘A dazzling concrete crown’: Liverpool Metropolitan Cathedral gets long overdue appreciation

by
Oliver Wainwright Architecture and design critic
from World news | The Guardian on (#6Y1E4)

A genius response bridging of history and modernity with daring interior and exterior, it is shocking it wasn't already Grade I-listed

Liverpool's majestic cosmic wigwam has always faced a hard time from critics. Classicists lamented that it replaced an earlier swollen baroque design by Edwin Lutyens, which was cut short by the second world war and rising costs. Modernists found it too prissy, a brittle British version of more muscular concrete creations emerging from sunnier southern climes - a piece of Oscar Niemeyer's Brasilia lost in translation between the hemispheres.

Time has proved them wrong. Frederick Gibberd's striking upturned funnel is one of the finest postwar buildings in the land, standing as the most prominent Catholic cathedral of any British city, as well as the most original. It is shocking that it wasn't already Grade-I listed - a fact that reflects a broader antipathy for buildings of the era, which is slowly being corrected by a new generation.

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